‘Tis the season to lounge on the sofa and consume a tin of mince pies in front of a terrific flick, a awful feature, or one that’s so bad it’s good.
Once again, a batch of fresh Christmas films aims to become part of our seasonal watchlist—maybe even finding a spot alongside timeless staples like Home Alone, Elf, Love Actually, and Die Hard (we won’t debate it).
Thus, in a helpful attempt to separate the winners from the losers, and to embrace the Christmas spirit, I binged as many recent festive movies as possible in a single day.
Starting, optimistically, on a good foot. This film is the sole 2025 title on a well-known aggregator's list of the best 100 holiday films of all time.
The musical trio end up stuck in the UK after concluding their international trek and must return for Christmas. Their endeavors are hindered by an villainous Saint Nick, who sings to state they won’t get home until they “rekindle their sibling bond.”
The repartee between the arguing trio is amusing even for the casual viewer, while followers will certainly notice lots of references as they endeavor to get back using any means of transport necessary.
It’s a travelogue of mishaps.
It’s not an all-time classic, but is great for fans and a solid start to the day.
Christmas tree rating: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their family members who will have to sit through it.
Famous performer Kiefer Sutherland has been cast as a Hollywood star roped into a traditional British stage show.
“A panto-what?” asks Sutherland’s “difficult” and older star Brad Mack, who has seen better days and whose representative has misled him into thinking he’s starring in high-class London stage.
His pantomime co-stars let him know he’s playing Buttons. “Absolutely not,” he retorts. It's easy to predict their reply. Unless you’re unfamiliar with traditional stage call-and-response.
There are some very funny lines, some touching storylines, and the ensemble is brilliant, too.
It’s the type of film that would be a bit tacky at a different time, but is a lot of fun at Christmas.
Christmas tree rating: 🎄🎄🎄🎄
An actor appears at the beginning of this film, too, delivering a signature line for the second film in a row. Is this a budding festive ritual?
This time, he’s a singing black cab driver who picks up Mr Sood, the modern take on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by a star of Kunal Nayyar and Christmas Karma is directed by Bend It Like Beckham’s Gurinder Chadha. The classic narrative unfolds as the miserly Mr Sood is confronted by the apparitions of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.
This South Asian reinterpretation is at least unique from all the others, but sadly he’s not very captivating and Nayyar’s portrayal is lifeless—a significant issue when he’s so central to everything.
Festive score: 🎄🎄
Before lunch for a network's Christmas comedy-drama—which stars Guz Khan as a lovably grouchy guy who “isn't big on Christmas.”
But after he receives an £8,000 Christmas bonus at work, his wife (starring Morgana Robinson) persuades him blowing the money on a vacation to Lapland.
There’s just one problem—he discovers there was an mix-up with his bonus, which should have been £800, and he has to devise a plan for how to pay back the difference.
Fun while it lasts but not lasting.
Christmas tree rating: 🎄🎄
This is one of those Christmas films where the tree, fairy lights and snow are in the setting—Christmas is the scene of the film rather than its raison d’etre—but it feels comfortable and seasonal all the same.
Driven corporate star Sydney (starring Minka Kelly) is sent to a vineyard to negotiate a purchase for a sparkling wine company. En route, she encounters a man in a literary haven who promises to show her a festive Paris.
A critic recently stated this is the best new Christmas film of the recent era. That’s a bit of a stretch, but it is a festive dalliance with a touch of class and gives the obligatory heartwarming sensation.
The scene with a detailed conversation about Die Hard is particularly strong too.
Christmas tree rating: 🎄🎄🎄
Sixteen-year-old Chris, played by Lenny Rush, holds onto his belief in Father Christmas, regardless of the efforts of his dad (starring James Buckley) to tell him the truth.
The truth is somewhere, and Chris ventures forth to find it with the guidance of a panel of well-known experts and celebrities.
It’s understated but endearing, and ideal viewing while waiting for Santa to visit.
Holiday verdict: 🎄🎄🎄
Michelle Pfeiffer is the head of a dysfunctional American family who come back together for the holidays—including fellow acclaimed actress Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer starts by mentioning classic festive films like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before saying: “They need to make a movie about the true heroes of the holidays—moms.”
So that’s the premise, but in practice it’s really a jumble of those forerunner films, at least until Pfeiffer’s character finally finds her strength.
Christmas tree rating: 🎄🎄
The day’s taken a dip, but fortunately here’s a new addition in the saturated market of predictable, sentimental, cheesy—and utterly watchable—festive fodder.
It’s a tale as familiar as can be: An American woman journeys to a far-off wintery locale and ends up finding romance.
In this case, Caprice Bourret plays a publisher
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